短訪Marshall馬年限定款設計師—

短訪Marshall馬年限定款設計師——FCCK

為了迎接農曆新年的到來，Marshall今年與藝術家「FCCK」合作，推出馬年限定款Emberton III。

"Live UnBridled" 脫韁不羈，聲至所往踏入2026 馬年，取法「脫韁野馬」之意，象徵不羈自由與率性靈魂

FCCK 的創作橫跨數位插畫、帆布繪畫、塗鴉以及塑膠玩具等媒材，並持續拓展新的創作途徑。

他將街頭風格的繪畫技巧，融入東方的水墨元素，大膽的設計為Emberton III馬年限定款注入玩心。

為了本次合作企劃，我們也和FCCK有一個文字短訪，讓台灣的朋友們能更認識這位創作者。

Ｑ：您能給我們的讀者簡單介紹一下自己嗎？

Could you please give our readers a brief introduction of yourself?

Ａ：大家好，我是 FCCK，作為一名獨立創作者，我喜歡探索不同的創作媒介和風格來表達我的創意想法或者情緒，目前生活在成都。

Hello everyone, I'm FCCK. As an independent creator, I enjoy exploring different creative mediums and styles to express my ideas or emotions. I currently live in Chengdu.

Ｑ：我們很好奇你的藝名「FCCK」的由來和含義。這背後有什麼故事嗎？

We’re curious about the origin and meaning behind your artist name, “FCCK.” Is there a story behind it?

Ａ：其實很簡單，因為我本來的名字太過有年代感，以至於和我線上接觸的人以為我是一個老人家，🤷我就想起一個簡單直接的名字。FCCK 是一個不能被念出來，也不能被定義的名字。有點像開無聊玩笑的人吧，沒有界限不一定要有特別目的，這一點也類似我的創作心態。很多人會聯想到「那個」單字，我也並不在意，因為我本意就是想如果我自己看到很好的作品，腦海裡的第一反應就是「f**k」，我希望我的作品也可以做到這一點。

作品完成了，評價的都是別人的事情，怎麼樣理解都可以。

Actually, it's quite simple. My original name felt so dated that people I interacted with online assumed I was an old person. 🤷 So I came up with a straightforward name. FCCK is a name that can't be pronounced or defined. It's a bit like someone cracking a lame joke—no boundaries, no specific purpose. That mirrors my creative mindset. Many people will associate it with “that” word, and I don't mind. My original intention was that if I saw truly great work, my first thought would be “f**k.”

I hope my own work can achieve that same effect.

Once the work is done, how others evaluate it is their business—they can interpret it however they like.

Ｑ：你的作品似乎融合了東西方文化的許多元素，比如塗鴉風格的排版和人體藝術美學。是什麼影響了你的創作風格？

Your work seems to blend many elements from both Eastern and Western cultures—for example, graffiti-style typography and tattoo aesthetic. What influences your creative style?

Ａ：我想是非常多生活中的碎片，創作的內容我感覺對我來說更像是融合的果蔬汁，生活中看到的文字、音樂、圖像，以及當時創作的情緒都會影響它的風味，這麼說可能很抽象，但確實是如此，類似即興街舞，你不知道下一首是什麼曲子，但你日常的練習和當時的靈感，會拼湊成一段獨特的舞蹈，這無法複刻。我喜歡這種感覺，在繪畫的過程中。

I imagine it's a multitude of life's fragments. The content I create feels more like a blended fruit and vegetable juice to me—the words, music, and images I encounter in daily life, along with the emotions present during creation, all influence its flavor. This might sound abstract, but it's truly how it is. It's akin to freestyle street dance: you don't know what the next track will be, but your daily practice and the inspiration of the moment come together to form a unique dance that can't be replicated. I love this feeling during the painting process.

Ｑ：你能告訴我們你和 Marshall 一起設計這次春節系列產品的故事嗎？

Can you tell us a bit behind how you came up with the design for the LNY collection with Marshall?

Ａ：這是一次太棒的合作體驗了，首先我很喜歡 Marshall 這個品牌，以及他們背後的文化，我的工作台上有一部陪伴我 10 年的馬歇爾音箱，他陪伴了我很多的創作和休閒時光，所以當我得知我們會一起產出這次的視覺和動畫短片我非常興奮，我用很快的時間就即興創作出了這次的主視覺，而且它是完全架上的作品，除了真實的質感也具備一些不確定性，我覺得這才是「Unbridled」的第一直覺，延續這個思路我繪畫了短片的插圖和視覺，擁有很多變化的融合，感謝他們讓我完成了這次「理性的胡來」的嘗試，並且整個過程中都給了我極大的尊重，最後的視覺我想我們雙方都是很喜歡的！

This has been an incredible collaborative experience. First off, I'm a huge fan of the Marshall brand and the culture behind it. I've had a Marshall speaker on my workbench for ten years now—it's been with me through countless creative sessions and moments of relaxation. So when I learned we'd be creating this visual and animated short together, I was absolutely thrilled. I quickly improvised the main visual concept—a completely off-the-cuff piece that captures authentic texture while embracing uncertainty. This felt like the purest expression of “Unbridled.” Extending this approach, I illustrated the short film's visuals with dynamic fusions of varied elements. I'm grateful they allowed me to pursue this “rational recklessness” experiment with complete creative freedom and profound respect throughout. I believe we both love the final visuals!

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歡迎來店看產品實體，也可以試聽唷。線上購買連結在貼文下方。

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